The surface changes the work. Put the same image on paper, canvas, and aluminum and you won't experience it exactly the same way.
That is one reason I use archival aluminum for many of my larger pieces.
Why I chose aluminum
I like the way the surface responds to light. Depending on the room and where you're standing, different areas of the image can become more noticeable.
The material also allows the work to be presented without a traditional frame. My aluminum pieces float approximately half an inch from the wall, creating a small shadow behind them.
What installation involves
The aluminum works arrive ready to hang with the supplied mounting system. Before installation, measure the wall and confirm the placement.
If the room has strong direct light, check for glare from the main viewing positions. A small change in angle or placement can make a noticeable difference.
Living with the surface
A product photograph shows one angle under one set of lighting conditions. Once the piece is in your home or office, you'll see it in daylight, at night, from across the room, and while walking past it.
That changing relationship with the room is something a screen can't reproduce very well.
Framed works are another option
Some works in the series are framed rather than produced on aluminum. A frame creates a defined boundary around the image and can make sense in rooms where that structure works better.
Both formats arrive ready to hang. The choice comes down to the individual work and the wall where it will live.
If you're deciding between them, look at the available aluminum and framed collections and start with the actual dimensions of your space.
