Clowned by Capitalism
The face the system paints on you
The joke everyone is in on and nobody escapes.
Clowned by Capitalism is about what a system can put on your face while you are still trying to remain yourself underneath it. The clowning is not playful. It is the part where survival starts to look like performance.
Companion work: The Masquerade and Clowned by Capitalism both deal with the face we present when the world demands a performance. One is about the mask we choose. The other is about the performance a system can force onto us.
This one-of-one work by Harlem artist Corey Wesley is part of Unapologetic Faces: The Cost of Being Seen. It is signed and documented with a certificate of authenticity.
36 × 24 aluminum work. Archival museum-quality aluminum on an MDF back. Scratch and fade resistant, with nothing over the surface. No glass, no acrylic. Ready to hang, French cleat included, floats half an inch off the wall and hangs vertical or horizontal. Signed on the front by Corey Wesley. Signed certificate of authenticity included.
Contact Corey Wesley About This Piece
MEET THE ARTIST
Corey Wesley is a Harlem-based contemporary artist and founder of Milton Wes Art. His work examines identity, recognition, vulnerability, and the cost of being seen.
MEET COREY WESLEYFaces tell a story before we even say a word. This is my creative expression of the human face and the emotions we all experience.
Our Faces Tell a Story Before We Even Say a Word
Unapologetic Faces: The Cost of Being Seen
Bernie Wohl Center at Goddard Riverside · New York City · March 2026
