Unapologetic Faces

Complex

Easy to look at, impossible to solve

Inquire

Inquiries for this piece are handled by Carol Ward, Collector Relations, Outside the Lines Gallery, representing Milton Wes Art.

Format
High-gloss aluminum
Edition
One of one
Size
24 × 36 in
Price
$2,000.00

Easy to look at. Impossible to figure out.

Complex holds the face that refuses to resolve into one clean answer, and dares you to keep looking.

Complex is a one of one work by Harlem artist Corey Wesley, on archival museum-quality aluminum, from the Unapologetic Faces series. On the wall it commands the room, and the space starts to read like a collector's, not a customer's.

Collected early, while the name is still climbing. Signed, and archived on placement. There is no second.

Complex | Contemporary Art on Archival Aluminum, Harlem NYC by Corey Wesley, 24 × 36 in High-gloss aluminum contemporary artwork, Milton Wes Art. view 1
Complex | Contemporary Art on Archival Aluminum, Harlem NYC by Corey Wesley, 24 × 36 in High-gloss aluminum contemporary artwork, Milton Wes Art. view 2
The Series

More Available Works

Each one of one. Once acquired, it does not return.

2:00 AM | Contemporary Framed Artwork, Harlem NYC
2:00 AM $1,800.00
One of one · Framed Artwork · 24 × 36 in
American Divide | Contemporary Framed Artwork, Harlem NYC
American Divide $1,800.00
One of one · Framed Artwork · 24 × 36 in
American Paradox | Contemporary Art on Archival Aluminum, Harlem NYC
American Paradox $2,000.00
One of one · High-gloss aluminum · 36 × 24 in
About the Artist

Corey Wesley

Corey Wesley is a Harlem artist. His practice was shaped by the faces he studied on the subway, in recovery rooms, in the space between performance and collapse. He creates what remains when the face stops performing.

The inaugural exhibition at Goddard Riverside Community Arts drew 150 in attendance. Corey Wesley curated the show alongside Scott M. Lilly and Ayiana Viviana. Press, collectors, and interior designers responded consistently: breathtaking.

As featured in
Harlem World · New York Weekly · Brown Style

The faces in these works are archetypes, not portraits. They belong to everyone. And no one.

Corey Wesley
Harlem, NYC