Unapologetic Faces

Cracked Fusion

Two selves fused where they never meet

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Format
High-gloss aluminum
Edition
One of one
Size
24 × 36 in
Price
$2,000.00

Two selves on one surface, fused where they were never meant to meet.

Cracked Fusion holds the moment identity stops being simple. Light breaking into shadow, the surface split and somehow still whole.

Cracked Fusion is a one of one work by Harlem artist Corey Wesley, on archival museum-quality aluminum, from the Unapologetic Faces series. On the wall it stops being a room and starts saying something about who lives there.

Acquired early, before the name catches up to the work. Signed, and archived on placement. Once it is gone, it is gone.

Cracked Fusion | Contemporary Art on Archival Aluminum, Harlem NYC by Corey Wesley, 24 × 36 in High-gloss aluminum contemporary artwork, Milton Wes Art. view 1
Cracked Fusion | Contemporary Art on Archival Aluminum, Harlem NYC by Corey Wesley, 24 × 36 in High-gloss aluminum contemporary artwork, Milton Wes Art. view 2
The Series

More Available Works

Each one of one. Once acquired, it does not return.

2:00 AM | Contemporary Framed Artwork, Harlem NYC
2:00 AM $1,800.00
One of one · Framed Artwork · 24 × 36 in
American Divide | Contemporary Framed Artwork, Harlem NYC
American Divide $1,800.00
One of one · Framed Artwork · 24 × 36 in
American Paradox | Contemporary Art on Archival Aluminum, Harlem NYC
American Paradox $2,000.00
One of one · High-gloss aluminum · 36 × 24 in
About the Artist

Corey Wesley

Corey Wesley is a Harlem artist. His practice was shaped by the faces he studied on the subway, in recovery rooms, in the space between performance and collapse. He creates what remains when the face stops performing.

The inaugural exhibition at Goddard Riverside Community Arts drew 150 in attendance. Corey Wesley curated the show alongside Scott M. Lilly and Ayiana Viviana. Press, collectors, and interior designers responded consistently: breathtaking.

As featured in
Harlem World · New York Weekly · Brown Style

The faces in these works are archetypes, not portraits. They belong to everyone. And no one.

Corey Wesley
Harlem, NYC