Unapologetic Faces

Golden Love

Tenderness rendered like treasure

Inquire

Inquiries for this piece are handled by Carol Ward, Collector Relations, Outside the Lines Gallery, representing Milton Wes Art.

Format
High-gloss aluminum
Edition
One of one
Size
24 × 36 in
Price
$2,000.00

Love this rare is worth more than the gold it is made of.

Golden Love holds tenderness rendered like treasure, because that is what it is.

Golden Love is a one of one work by Harlem artist Corey Wesley, on archival museum-quality aluminum, from the Unapologetic Faces series. On the wall it makes the space feel quietly expensive, and impossible to forget.

Collected early, while the name is still climbing. Signed, and archived on placement. Only one exists.

24x36 wall art. Archival museum-quality aluminum on an MDF back. Scratch and fade resistant, with nothing over the surface. No glass, no acrylic. Ready to hang, French cleat included, floats half an inch off the wall and hangs vertical or horizontal. Signed on the front by Corey Wesley. Signed certificate of authenticity included.

Golden Love | One of One Contemporary Archival Aluminum Wall Art, 24x36, Harlem NYC by Corey Wesley, 24 × 36 in High-gloss aluminum contemporary artwork, Milton Wes Art. view 1
Golden Love | One of One Contemporary Archival Aluminum Wall Art, 24x36, Harlem NYC by Corey Wesley, 24 × 36 in High-gloss aluminum contemporary artwork, Milton Wes Art. view 2
The Series

More Available Works

Each one of one. Once acquired, it does not return.

Irreversible Split | One of One Contemporary Archival Aluminum Wall Art, 36x24, Harlem NYC
Irreversible Split $2,000.00
One of one · High-gloss aluminum · 36 × 24 in
Split in Silence | One of One Contemporary Archival Aluminum Wall Art, 24x36, Harlem NYC
Split in Silence $2,000.00
One of one · High-gloss aluminum · 24 × 36 in
Gilded Vulnerability | One of One Contemporary Archival Aluminum Wall Art, 36x24, Harlem NYC
One of one · High-gloss aluminum · 36 × 24 in
About the Artist

Corey Wesley

Corey Wesley is a Harlem artist. His practice was shaped by the faces he studied on the subway, in recovery rooms, in the space between performance and collapse. He creates what remains when the face stops performing.

The inaugural exhibition at Goddard Riverside Community Arts drew more than 300 RSVPs. Corey Wesley curated the show alongside Scott M. Lilly and Ayiana Viviana. Press, collectors, and interior designers responded consistently: breathtaking.

As featured in
Harlem World · New York Weekly · Brown Style

The faces in these works are archetypes, not portraits. They belong to everyone. And no one.

Corey Wesley
Harlem, NYC