Unapologetic Faces

Model Divide

The image and the person keeping it up

Inquire

Inquiries for this piece are handled by Carol Ward, Collector Relations, Outside the Lines Gallery, representing Milton Wes Art.

Format
Framed Artwork
Edition
One of one
Size
24 × 36 in
Price
$1,800.00
As featured in Harlem World · New York Weekly · Brown Style

The line between who you are and who you perform is thinner than it looks.

Model Divide sits directly on that line. One side is the image being maintained. The other is the person doing the work of maintaining it.

This one-of-one framed work by Harlem artist Corey Wesley is part of Unapologetic Faces. It is signed and documented with a certificate of authenticity.

24x36 wall art. Museum-quality matte paper, matted, in a black Ayous wood frame from renewable forests. Acrylite front protector rather than glass, so there is nothing to shatter. Ready to hang, hanging hardware included. No additional framing required. Signed on the front by Corey Wesley. Signed certificate of authenticity included.

Gallery-finished and ready to display.
Each work is signed and permanently archived upon acquisition. The Certificate of Authenticity is the permanent record of that acquisition and documents the work, the collector, and the acquisition date. It is mailed under separate cover within 30 days of delivery. No reproductions. No editions. Once acquired, this work exists nowhere else.
Corey Wesley is represented by Carol Ward, Collector Relations, Outside the Lines Gallery. Carol manages every Milton Wes Art acquisition from first inquiry through delivery, including availability, pricing, and placement.
Contact Carol Ward About This Piece
Shipping: Free, fully insured. Ships in 5 to 10 business days.
Installation: Framed and gallery-finished. Hardware included. Ready to hang.
Care: Wipe with a clean, dry cloth. Avoid direct sunlight and moisture.
Final Sale: All acquisitions are final. No returns or exchanges permitted.
About the Artist

Corey Wesley

Harlem shaped his practice: the faces on the subway, in recovery rooms, and in the space between performance and collapse. He creates what remains when the face stops performing.

His proprietary mixed-media process combines writing, Photoshop, Illustrator, and modern technology, including AI-assisted tools. Over days or months, he refines symbolism, color, composition, facial structure, and emotional tone until each work carries his recognizable visual language.

The faces in these works are archetypes. They belong to everyone. And no one.

Corey Wesley
Harlem, NYC
The Series

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