Unapologetic Faces

Twin Beauty

The mirror between two selves

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Format
Framed Artwork
Edition
One of one
Size
18 × 24 in
Price
$1,600.00

Two faces, one bloodline of beauty.

Twin Beauty holds the mirror between two selves that share everything and hide nothing.

Twin Beauty is a one of one framed work by Harlem artist Corey Wesley, from the Unapologetic Faces series. On the wall it changes the whole room, and the space starts to read like it belongs to someone with serious taste.

Collected early, while the name is still climbing. Signed, and archived the day it is placed. Only one exists.

Twin Beauty | Contemporary Framed Artwork, Harlem NYC by Corey Wesley, 18 × 24 in Framed Artwork contemporary artwork, Milton Wes Art. view 1
Twin Beauty | Contemporary Framed Artwork, Harlem NYC by Corey Wesley, 18 × 24 in Framed Artwork contemporary artwork, Milton Wes Art. view 2
Twin Beauty | Contemporary Framed Artwork, Harlem NYC by Corey Wesley, 18 × 24 in Framed Artwork contemporary artwork, Milton Wes Art. view 3
The Series

More Available Works

Each one of one. Once acquired, it does not return.

2:00 AM | Contemporary Framed Artwork, Harlem NYC
2:00 AM $1,800.00
One of one · Framed Artwork · 24 × 36 in
American Divide | Contemporary Framed Artwork, Harlem NYC
American Divide $1,800.00
One of one · Framed Artwork · 24 × 36 in
American Paradox | Contemporary Art on Archival Aluminum, Harlem NYC
American Paradox $2,000.00
One of one · High-gloss aluminum · 36 × 24 in
About the Artist

Corey Wesley

Corey Wesley is a Harlem artist. His practice was shaped by the faces he studied on the subway, in recovery rooms, in the space between performance and collapse. He creates what remains when the face stops performing.

The inaugural exhibition at Goddard Riverside Community Arts drew 150 in attendance. Corey Wesley curated the show alongside Scott M. Lilly and Ayiana Viviana. Press, collectors, and interior designers responded consistently: breathtaking.

As featured in
Harlem World · New York Weekly · Brown Style

The faces in these works are archetypes, not portraits. They belong to everyone. And no one.

Corey Wesley
Harlem, NYC