Unapologetic Faces

Black Beauty

Beauty that holds you where you stand

Inquire

Inquiries for this piece are handled by Carol Ward, Collector Relations, Outside the Lines Gallery, representing Milton Wes Art.

Format
Framed Artwork
Edition
One of one
Size
24 × 18 in
Price
$1,600.00

Beauty this direct is not something you glance at. It holds you where you stand.

Black Beauty meets your eyes and does not soften for anyone. Presence before permission.

Black Beauty is a one of one framed work by Harlem artist Corey Wesley, from the Unapologetic Faces series. On the wall it changes the whole room, and the space starts to read like it belongs to someone with taste most people are still catching up to.

Collected early, while the name is still climbing. Signed, and archived the day it is placed. Only one exists.

24x18 wall art. Museum-quality matte paper, matted, in a black Ayous wood frame from renewable forests. Acrylite front protector rather than glass, so there is nothing to shatter. Ready to hang, hanging hardware included. No additional framing required. Signed on the front by Corey Wesley. Signed certificate of authenticity included.

Black Beauty | One of One Contemporary Framed Wall Art, 24x18, Harlem NYC by Corey Wesley, 24 × 18 in Framed Artwork contemporary artwork, Milton Wes Art. view 1
Black Beauty | One of One Contemporary Framed Wall Art, 24x18, Harlem NYC by Corey Wesley, 24 × 18 in Framed Artwork contemporary artwork, Milton Wes Art. view 2
The Series

More Available Works

Each one of one. Once acquired, it does not return.

Love Hurts | One of One Contemporary Framed Wall Art, 18x24, Harlem NYC
Love Hurts $1,600.00
One of one · Framed Artwork · 18 × 24 in
Love Your Face | One of One Contemporary Framed Wall Art, 24x36, Harlem NYC
Love Your Face $1,800.00
One of one · Framed Artwork · 24 × 36 in
Burning Desire | One of One Contemporary Framed Wall Art, 24x36, Harlem NYC
Burning Desire $1,800.00
One of one · Framed Artwork · 24 × 36 in
About the Artist

Corey Wesley

Corey Wesley is a Harlem artist. His practice was shaped by the faces he studied on the subway, in recovery rooms, in the space between performance and collapse. He creates what remains when the face stops performing.

The inaugural exhibition at Goddard Riverside Community Arts drew more than 300 RSVPs. Corey Wesley curated the show alongside Scott M. Lilly and Ayiana Viviana. Press, collectors, and interior designers responded consistently: breathtaking.

As featured in
Harlem World · New York Weekly · Brown Style

The faces in these works are archetypes, not portraits. They belong to everyone. And no one.

Corey Wesley
Harlem, NYC