Unapologetic Faces

Break Up to Make Up

The love you leave and return to

Inquire

Inquiries for this piece are handled by Carol Ward, Collector Relations, Outside the Lines Gallery, representing Milton Wes Art.

Format
Framed Artwork
Edition
One of one
Size
18 × 24 in
Price
$1,600.00

The love you leave and keep coming back to. Everyone has one.

Break Up to Make Up holds the ache and the return in the same face, the pull nobody talks about but everybody knows.

Break Up to Make Up is a one of one framed work by Harlem artist Corey Wesley, from the Unapologetic Faces series. Put it where people gather and the space instantly reads like a collector's, not a customer's.

An emerging name, collected early for a reason. Signed, and archived on placement. There is no second.

18x24 wall art. Museum-quality matte paper, matted, in a black Ayous wood frame from renewable forests. Acrylite front protector rather than glass, so there is nothing to shatter. Ready to hang, hanging hardware included. No additional framing required. Signed on the front by Corey Wesley. Signed certificate of authenticity included.

Break Up to Make Up | One of One Contemporary Framed Wall Art, 18x24, Harlem NYC by Corey Wesley, 18 × 24 in Framed Artwork contemporary artwork, Milton Wes Art. view 1
Break Up to Make Up | One of One Contemporary Framed Wall Art, 18x24, Harlem NYC by Corey Wesley, 18 × 24 in Framed Artwork contemporary artwork, Milton Wes Art. view 2
The Series

More Available Works

Each one of one. Once acquired, it does not return.

No Comment | One of One Contemporary Framed Wall Art, 18x24, Harlem NYC
No Comment $1,600.00
One of one · Framed Artwork · 18 × 24 in
Black Love | One of One Contemporary Framed Wall Art, 18x24, Harlem NYC
Black Love $1,600.00
One of one · Framed Artwork · 18 × 24 in
Passionate Lovers | One of One Contemporary Framed Wall Art, 24x18, Harlem NYC
Passionate Lovers $1,600.00
One of one · Framed Artwork · 24 × 18 in
About the Artist

Corey Wesley

Corey Wesley is a Harlem artist. His practice was shaped by the faces he studied on the subway, in recovery rooms, in the space between performance and collapse. He creates what remains when the face stops performing.

The inaugural exhibition at Goddard Riverside Community Arts drew more than 300 RSVPs. Corey Wesley curated the show alongside Scott M. Lilly and Ayiana Viviana. Press, collectors, and interior designers responded consistently: breathtaking.

As featured in
Harlem World · New York Weekly · Brown Style

The faces in these works are archetypes, not portraits. They belong to everyone. And no one.

Corey Wesley
Harlem, NYC