Unapologetic Faces

The Breakup

The second love leaves

Inquire

Inquiries for this piece are handled by Carol Ward, Collector Relations, Outside the Lines Gallery, representing Milton Wes Art.

Format
High-gloss aluminum
Edition
One of one
Size
24 × 36 in
Price
$2,000.00

Everyone knows this moment. Almost no one puts it on a wall.

The Breakup is the second love leaves and the face that has to keep going anyway. Gold running where the tears should be.

The Breakup is a one of one work by Harlem artist Corey Wesley, on archival museum-quality aluminum, from Unapologetic Faces: The Cost of Being Seen. It commands the room and dares anyone in it to look away.

An emerging artist, collected now for a reason. Signed, and archived the day it leaves. There is only one.

24x36 wall art. Archival museum-quality aluminum on an MDF back. Scratch and fade resistant, with nothing over the surface. No glass, no acrylic. Ready to hang, French cleat included, floats half an inch off the wall and hangs vertical or horizontal. Signed on the front by Corey Wesley. Signed certificate of authenticity included.

The Breakup | One of One Contemporary Archival Aluminum Wall Art, 24x36, Harlem NYC by Corey Wesley, 24 × 36 in High-gloss aluminum contemporary artwork, Milton Wes Art. view 1
The Breakup | One of One Contemporary Archival Aluminum Wall Art, 24x36, Harlem NYC by Corey Wesley, 24 × 36 in High-gloss aluminum contemporary artwork, Milton Wes Art. view 2
The Series

More Available Works

Each one of one. Once acquired, it does not return.

Tears Flowing | One of One Contemporary Archival Aluminum Wall Art, 24x36, Harlem NYC
Tears Flowing $2,000.00
One of one · High-gloss aluminum · 24 × 36 in
The Whisper Becomes the Push | One of One Contemporary Archival Aluminum Wall Art, 36x24, Harlem NYC
One of one · High-gloss aluminum · 36 × 24 in
Golden Temptation II | One of One Contemporary Archival Aluminum Wall Art, 36x24, Harlem NYC
One of one · High-gloss aluminum · 36 × 24 in
About the Artist

Corey Wesley

Corey Wesley is a Harlem artist. His practice was shaped by the faces he studied on the subway, in recovery rooms, in the space between performance and collapse. He creates what remains when the face stops performing.

The inaugural exhibition at Goddard Riverside Community Arts drew more than 300 RSVPs. Corey Wesley curated the show alongside Scott M. Lilly and Ayiana Viviana. Press, collectors, and interior designers responded consistently: breathtaking.

As featured in
Harlem World · New York Weekly · Brown Style

The faces in these works are archetypes, not portraits. They belong to everyone. And no one.

Corey Wesley
Harlem, NYC