Broadway Duality
The self on stage, the self underneath
Two faces. One of them is the one the world gets to see.
Broadway Duality is about the split between the self that performs and the self that stays underneath. Neither one has to be fake. They can both be true at the same time.
This one-of-one framed work by Harlem artist Corey Wesley is part of Unapologetic Faces: The Cost of Being Seen. It is signed and documented with a certificate of authenticity.
18 × 24 framed work. Museum-quality matte paper, matted, in a black Ayous wood frame from renewable forests. Acrylite front protector rather than glass, so there is nothing to shatter. Ready to hang, hanging hardware included. No additional framing required. Signed on the front by Corey Wesley. Signed certificate of authenticity included.
Contact Corey Wesley About This Piece
Corey Wesley
Harlem shaped his practice: the faces on the subway, in recovery rooms, and in the space between performance and collapse. He creates what remains when the face stops performing.
His proprietary mixed-media process combines writing, Photoshop, Illustrator, and modern technology, including AI-assisted tools. Over days or months, he refines symbolism, color, composition, facial structure, and emotional tone until each work carries his recognizable visual language.
The faces in these works are archetypes. They belong to everyone. And no one.
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Each one of one. Once acquired, it does not return.
