Unapologetic Faces

The Face That Trauma Built

The person the hard years made

Inquire

Inquiries for this piece are handled by Carol Ward, Collector Relations, Outside the Lines Gallery, representing Milton Wes Art.

Format
Framed Artwork
Edition
One of one
Size
24 × 36 in
Price
$1,800.00

Everything that happened to you is in here somewhere.

The Face That Trauma Built holds the person the hard years made, and the strength they did not mean to give.

The Face That Trauma Built is a one of one framed work by Harlem artist Corey Wesley, from Unapologetic Faces: The Cost of Being Seen. On the wall it becomes the reason people remember the room.

An emerging name, acquired early. Signed, and archived the day it is placed. Only one exists.

24x36 wall art. Museum-quality matte paper, matted, in a black Ayous wood frame from renewable forests. Acrylite front protector rather than glass, so there is nothing to shatter. Ready to hang, hanging hardware included. No additional framing required. Signed on the front by Corey Wesley. Signed certificate of authenticity included.

The Face That Trauma Built by Corey Wesley, 24 × 36 in Framed Artwork contemporary artwork, Milton Wes Art. view 1
The Face That Trauma Built by Corey Wesley, 24 × 36 in Framed Artwork contemporary artwork, Milton Wes Art. view 2
The Face That Trauma Built by Corey Wesley, 24 × 36 in Framed Artwork contemporary artwork, Milton Wes Art. view 3
The Series

More Available Works

Each one of one. Once acquired, it does not return.

Beautiful Accident
Beautiful Accident $1,800.00
One of one · Framed Artwork · 24 × 36 in
American Divide
American Divide $1,800.00
One of one · Framed Artwork · 24 × 36 in
Fractured Identity
Fractured Identity $1,600.00
One of one · Framed Artwork · 18 × 24 in
About the Artist

Corey Wesley

Corey Wesley is a Harlem artist. His practice was shaped by the faces he studied on the subway, in recovery rooms, in the space between performance and collapse. He creates what remains when the face stops performing.

The inaugural exhibition at Goddard Riverside Community Arts drew 150 attendees. Corey Wesley curated the show alongside Scott M. Lilly and Ayiana Viviana. Press, collectors, and interior designers responded consistently: breathtaking.

As featured in
Harlem World · New York Weekly · Brown Style

The faces in these works are archetypes, not portraits. They belong to everyone. And no one.

Corey Wesley
Harlem, NYC